The underpainting a little further along. What looks purple is basically white canvas.

The painting has started. First I strengthened the drawing lines with thinned out Veronese green then started blocking in the darks with cobalt blue turquoise, also thinned with turpentine.

Jars

Pastel pencil on Fabriano Roma

Onion/Flea

Oil on canvas

This is the drawing I did for a painting I am going to start. Pastel pencil on Fabriano Roma.

Inside-Outside #1

Inside-Outside#2

Inside -Outside #3

Inside-Outside #4

These are all pastel pencil on Fabriano Roma paper.

This is the final painting. Since the last entry I let the whole painting dry thoroughly. Then I went over it with a very thin wash of white and cobalt blue. This has the effect of unifying the painting and bringing out some nice optical greys. Then I worked more neutrals, darks and color into places where they were needed. I also put in some more details and corrected the drawing in a few areas. Finally I put in the faint background where the white canvas had been.